Prince Concepts

Caterpillar

Caterpillar: 8 newly built apartments, with 108 windows, sitting in a newly planted 168 tree urban woodland. Located one block South of True North at 16th St and Forest.

Caterpillar is the second Prince Concepts' project using the Quonset Hut and expands the exploration. Like True North, Caterpillar was generously awarded and has enjoyed 100% occupancy since completion in March of 2021.

Each unit has 12 - 18 windows, 23’ ceilings and enjoys outdoor access via a deck/patio/porch that wraps around the entire structure.

The project was designed by UNDECORATED: Ishtiaq Rafiuddin and the Landscape Architecture was by DIRT Studio: Julie Bargmann.

Caterpillar on the SE corner of 16th & Forest; a block s/o True North (Rafael Gamo, 2021)

Although exotic, it beautifully nestles into the natural landscape (Rafael Gamo, 2021)

Dramatic, iconic, simple (Rafael Gamo, 2021)

(Rafael Gamo, 2021)

Walking home (Chris Miele, 2024)

Rigorous, reflective, special spaces (Rafael Gamo, 2021)

Featured cover (Great Lakes By Design, 2021)

Caterpillar, in context (John D'Angelo, 2024)

A Quonset hut isn’t a design, it’s a tool - think about it the same way you’d think about a brick. It’s a tool to achieve a purpose.

With True North we used the Quonset hut to create a sculptural community with public and semi-private outdoor nooks that residents and neighbors, alike, could enjoy, marvel at and marvel in.

For Caterpillar, Prince Concepts challenged architect, Ishtiaq Rafiuddin, to create an 8 unit project within one massive hut. We used the Quonset hut as a 9,000 sf sculpture with 6 residences and 2 Live/Work spaces that anchors a public park where people can soak up the majesty of a new age monument.

True North was nestled between two existing structures and architect, Edwin Chan, therefore felt the need to match the scale that bookended the site. Whereas, Caterpillar landed in green and then camouflaged itself in even more green.

With both of these projects, we used the Quonset hut because we were trying to offer high quality space, of note, for an accessible cost. Inspired and accessible housing.

True North: 10 units, 8 huts, 5 lots (Chris Miele, 2024)

Caterpillar: 8 units, 1 hut, 7 lots (Chris Miele, 2024)

Caterpillar in the landscape, Summer 2024 (Chris Miele)

Caterpillar in context (Chris Miele, 2024)

True North in context (Chris Miele, 2024)

True North is an urban project (Chris Miele, 2024)

Caterpillar is a rural one (Chris Miele, 2024)

(Chris Miele, 2024)

Caterpillar with True North in the upper left hand corner (Chris Miele, 2024)

Because Caterpillar anchors a block that is home to an iconic Detroit Church building (across the street) and the vibrant Fisheye Farm (next door), but was totally void of any traditional residential homes, or anything but trees, for that matter, it demanded a different approach than the more urban, True North.

This mostly vacant block, with two unique uses, allowed for Caterpillar to go beyond the standard scale and program of traditional Detroit residential streets, which are often for single family homes. Caterpillar sits on seven merged residential lots and is 192’ long x 46’ wide x 23’tall.

Caterpillar w/ Canopy Phase 1 to the right (East), Fisheye Farms to the South and the rest of the Core City action, North (John D'Angelo, 2024)

The site (Chris Miele, 2019)

Pre Caterpillar (Chris Miele, 2019)

Our neighbors inspired us. We seriously considered the rigor and aesthetic of a farm + the iconic form of a pre-war Detroit Church (Rafael Gamo, 2021)

A space ship, but right at home... (Rafael Gamo, 2021)

The vacant area surrounding the project created possibilities (Rafael Gamo, 2021)

This project was born from the imagination: we wanted the building to feel like a space ship landing in a forest and act like the Pompidou Museum in Paris - a foreign object anchoring a public space.

But also from the intellect. After building True North, I realized the strength of the Quonset Hut: if we minimize the amount of end-walls, we can then over invest in the quality of space within each unit.

The hut gives us more affordable access to high, or museum, quality space. We wanted to offer sanctuary inspired living spaces, surrounded by generous green space; therefore we challenged architect Ishtiaq Rafiuddin to create an 8 unit project within one massive hut. We could then allocate the savings from fewer end-walls into higher quality spaces and landscape.

We merged seven lots, created a jumbo lot, turned the structure sideways and, as Ish liked to say "we cut the building up like a sushi roll into 8 units."

Initial idea sketched by Kafka, circa 2018/2019

Basic drawing became a beautiful, simple plan (Undecorated, 2019)

(Rafael Gamo, 2021)

End-walls are typically how light enter a quonset hut. Ish had a challenge - how was he going to get light into eight units within just two end-walls?

Ish did his research and discovered our hut manufacturer also makes window bays.

We took our savings from reducing sixteen end-walls down to two, then invested those dollars into 108 windows and 168 trees.

An icon sitting in an oasis with ethereal light piercing each apartment from both the East and the West. Spectacular.

Basically a Parisian "Mansard" Roof on the ground (John D'Angelo, 2024)

Before we divided the space up. Holy light (Chris Miele, 2020)

We stacked small windows above medium windows above large glass doors. Each unit has at least 12 windows. (Chris Miele, 2020)

Light is obscured by the abundance of trees, then enters the units at an angle (Rafael Gamo, 2021)

Plywood boxes make the light feel golden (Chris Miele, 2021)

Even the smallest units have 12 windows (Chris Miele, 2021)

(Chris Miele, 2021)

We even placed skylights above the showers (Chris Miele, 2021)

The project offers:

2 - 1,300 SF "Large" Units on each end. These units have large sliding doors opening up to a 46' long dedicated private patio section on each side of the hut.

3 - 1,100 SF "Medium" Units.

3 - 750 SF "Small" Units.

All units have 23' ceilings, dedicated patio space and at least 4 operable glass doors for ventilation and another 8 windows for generous natural light.

All units feel sanctuary inspired and offer loft style, open space living. Bedrooms receive soft morning light with the living spaces enjoying the radiant sunset light. The attitude of the natural light changes throughout the day, but with every apartment having exposures to the East and West, the quality is always high.

We made the choice not to have second stories so that the focus of the project was literally the "space" it offered. Space for space sake. This project was an attempt at offering museum quality space for a regular apartment price.

A simple plan; 3 unit types. Quality of space, light and views never changes, just the square footage.

Small units have a pass thru from kitchen to bedroom. Bathroom on the right and closet on the left (Chris Miele, 2021)

Medium and Large units have large wooden "boxes" in the middle of the space that you can circulate around and through (Chris Miele, 2021)

Back of the box, a loft style bedroom (Chris Miele, 2021)

No overhead lights. The boxes glow. (Chris Miele, 2021)

The "boxes" can be walked through: in - bathroom, shower, closet - out. We called these ‘Jetsons’ style genesis chambers that residents use to transform from “just barely awake” to “ready for action. (Chris Miele, 2021)

Small Unit (Rafael Gamo, 2021)

Skinny, but tall, small units offer light, space, and drama (Rafael Gamo, 2021)

Large units have patio doors from the bedroom to their deck (Chris Miele, 2021)

Front of Large units offer double patio doors for more light and views (Chris Miele, 2021)

Curves in the front (Rafael Gamo, 2021)

Curves in the back (Rafael Gamo, 2021)

All showers are open to above. The project is about space and light (Rafael Gamo, 2021)

Simple, clean bathrooms (Chris Miele, 2021)

Large units designed as Live/Work (Rafael Gamo, 2021)

Space and Light (Chris Miele, 2021)

Glow UP (Chris Miele, 2021)

Caterpillar and 5K were the first two significant projects completed after Core City Park. Building a park and working with Julie Bargmann was inspiring. It turned us on to "building" landscapes.

Caterpillar was as much a landscape project as it was an architecture project. We worked with Julie Bargmann to devise an inspired and significant habitat for our "spaceship" to land in. We planted 168 trees for this project. What a ratio - 8 Apartments built, with 108 windows installed and 168 new trees planted. Typically, new apartment projects are 200 apartments built with 10 trees planted.

We treated the site like a coral reef, inviting all life: we seeded the ground with clover, planted just one type of flowering understory tree (36 red buds), planted 49 Sycamore trees and then invited a random gang of all sorts other canopy trees to the party. And party it is, every year this landscape thrives. It's happy!

We knew we were entering new territory. We were certainly creating a conversation about what WE want multifamily projects to look and feel like. Inspired and special space for the tenant and a majestic landscape for the neighborhood.

Over investing in landscape makes sense. A building begins to deteriorate the day it's done, but a landscape only gets better. To be able to create and then watch our landscape improve over time is very gratifying.

Julie Bargmann's hand drawn plan (2020)

Exactly what we ended up planting (2021)

Caterpillar looking lush in the Summer of 2024 (Chris Miele)

Pardy and Kafka site and stake trees (Chris Miele, 2020)

The trees were organized like Jazz music. Random, dense, energetic (Chris Miele, 2020)

Kafka siting trees on a snowy day (Randy Pardy, 2020)

We seeded the front lawn with clover and slipped a walking path through it (Chris Miele, 2021)

Spring 2021, our first season (Chris Miele)

Spring 2025, after four seasons of growth (Chris Miele)

Clover coming in strong every summer (Chris Miele, 2021)

The same spot just 3 summers later (Chris Miele, 2024)

A sea of 36 red buds makes spring electric (John D'Angelo, 2024)

Enjoy the deck within a sea of red buds (John D'Angelo, 2024)

Soft, energetic, vibrant springs (John D'Angelo, 2024)

Summer is wild and green (Chris Miele, 2024)

You can walk through the forest (Chris Miele, 2024)

Or look out onto it from the deck (Chris Miele, 2024)

Autumn brings another level of landscape wonderment (Philip Kafka, 2023)

We played with the hut, then played with the landscape, then - finally - we figured out how to connect the two. Ish had the strong idea to wrap the entire Caterpillar with a large deck.

As we saw it, we'd plant the sea, build the ship, and then give people a dock to sit on and enjoy and the habitat.

We didn't have an ocean front property, so we'd build the sea ourselves.

Sit and enjoy the sea of green (Jason Keen, 2021)

For time alone (Jason Keen, 2021)

Introspect (Jason Keen, 2021)

Time together (Jason Keen, 2021)

Coming home (Jason Keen, 2021)

Autumn on the deck looking into a sea of landscape (Philip Kafka, 2023)

The deck - playful and a place to play (Rafael Gamo, 2021)

Apartments don't have basements, but the building does. We placed storage and all the building utilities in the 16'w basement below the breezeway to give tenants additional storage and so we didn't have to waste apartment space for water heaters and winter clothes.

We used a perfect half circle; a classic quonset hut. 46'wide x 23'tall.

First we put up the entire hut, then we went back and started taking out the windows. A simple central line of plumbing runs down the entire building. We insulated, drywalled, separated the spaces and then performed custom millwork for each unit, within each unit. We simultaneously built the deck and planted the trees.

Looking back, building this project was beautifully sequenced, creating harmony. I believe the simple plan, elegant shape, and inspired team contributed. We showed up to work each day, ready to push this idea forward. This wasn't complex geometry, like 5K, this project required repetition and rigorous work to make sure all the screws were tight, there are a lot of screws in a Quonset hut, but the simple plan helped the entire team always understand exactly what the next step was.

192'l x 46'w footing with a 16'w basement (Chris Miele, 2019)

The first rib goes up. A perfect half circle, on purpose (Chris Miele, 2019)

2' down, 190' to go (Chris Miele, 2019)

Each rib is 2' wide. The project is a total of 96 ribs (Chris Miele, 2019)

Crews and screws. Putting a hut together requires man power and a lot of screws and bolts (Chris Miele, 2019)

Working our way towards the basement. 3 units sit to the right of it and 5 to the left (Chris Miele, 2019)

Enjoying a sunny day on site (Chris Miele, 2019)

The breezeway above the basement allows the public to pass through the building and tenants to access the basement (Philip Kafka, 2022)

We finished assembling the entire hut and then started on the windows (Chris Miele, 2019)

Kafka and Rafiuddin on site (Randy Pardy, 2020)

The space was inspired from early on. The classic character of a quonset hut - width, length - but then we gave it light (Chris Miele, 2020)

Hut up. Windows in. Studs installed. Plumbing spine run. Getting ready for concrete (Chris Miele, 2020)

Concrete days are the best. You always finish what you start (Philip Kafka, 2020)

Turning a Quonset Hut into an operational building requires many steps (Chris Miele, 2020)

Turning the structure into a building (Chris Miele, 2020)

Detail. We devised this solution ourselves (Chris Miele, 2020)

Every stage was so pretty because of the space and light (Chris Miele, 2020)

(Philip Kafka, 2020)

Painted (Philip Kafka, 2020)

Ready for dividing walls (Chris Miele, 2020)

Beginning to cut the hut (Philip Kafka, 2020)

Becoming an icon in the shadow of iconic trees and iconic churches (Chris Miele, 2020)

Concrete posts in, ready for the deck(Chris Miele, 2020)

The simple boxes along the "spine" begin (Chris Miele, 2021)

Clad with lovely Douglas Fir Plywood (Chris Miele, 2021)

Everything built on site (Chris Miele, 2021)

Rafiuddin and Jim Saad on the deck (Randy Pardy, 2021)

Kafka and Rafiuddin assess (Randy Pardy, 2021)

Kafka and the crew enjoying lunch on site (Randy Pardy, 2020)

We loved the project and so did the rest of the architecture world.

WINNER: Dwell Magazine, 2021 Design Awards // Winner Best Pre-Fab project

WINNER: 2021 Architizer Awards, Facades

FINALIST: Architizer Awards, 2022: Finalist, Multi Unit Housing

WINNER: Architecture MasterPrize 2021 // Residential Architecture - Multi Unit

FINALIST: DEZEEN Awards, 2021 // Longlisted in the housing project category

HONORABLE MENTION: Fast Company, 2022, World Changing Ideas Awards // Honorable mention

FEATURED: Dank Lloyd Wright, Architecture Meme King

The result has inspired. We always enjoy seeing life around and in the project.

Caterpillar Spring 2025 (Chris Miele)

Dining setup in a large unit (Chris Miele, 2021)

Light in a large unit (Chris Miele, 2021)

Cozy in a small unit (Chris Miele, 2022)

Small unit moment (Jason Keen, 2021)

Sleeping in a small unit (Jason Keen, 2021)

Life in a medium unit (Chris Miele, 2022)

Loft living, in a quonset hut, in a forest, in Core City, Detroit (Chris Miele, 2022)

Family life in a large unit (Chris Miele, 2025)

Loft living in a large unit w/ a child (Chris Miele, 2025)

Lounging in a large unit (Jason Keen, 2021)

Inspired moments in inspired space (Chris Miele, 2025)

Working in a large unit (Rafael Gamo, 2021)

(Rafael Gamo, 2021)

Caterpillar (Rafael Gamo, 2021)

(Rafael Gamo, 2021)

Caterpillar, what inspired it and what it has inspired (John D'Angelo, 2024)